For bookings, please contact publicist Adeola Saul, Senior Publicist at Kensington Publishing, (212) 407-1565; asaul@kensingtonbooks.com
Mollie is represented by Miller Bowers Griffin Literary Management, 212-206-0913.
About SCRAPBOOK OF SECRETS: A CUMBERLAND CREEK MYSTERY
Having traded in her career as a successful investigative journalist for the life of a stay-at-home mum in picturesque Cumberland Creek, Virginia, Annie can’t help but feel that something’s missing. But she finds solace in a local “crop circle” of scrapbookers united by chore-shy husbands, demanding children, and occasional fantasies of their former single lives. And when the quiet idyll of their small town is shattered by a young mother’s suicide, they band together to find out what went wrong…Annie resurrects her reporting skills and discovers that Maggie Rae was a closet scrapbooker who left behind more than a few secrets – and perhaps a few enemies. As they sift through Maggie Rae’s mysteriously discarded scrapbooks, Annie and her “crop” sisters begin to suspect that her suicide may have been murder. It seems that something sinister is lurking beneath the town’s beguilingly calm facade – like a killer with unfinished business…
Author Questions
1. What compelled you to write this story? This idea came to me, actually, when I was going to a lot of scrapbooking events and was blown away by the generosity and quick friendships of other scrapbookers. None of us had the time to commit that the women in my book do—and I always thought it would be great if we did. About that same time, I read “The Secret Life of Bees” and was enamored with it. I wanted to write a story like it about the power of women’s friendships. I also wanted to take a look at the darker side of that—what isolation and secrets can do to people. So when National Novel Writing Month came around a few years ago, I decided to dip my toes in and go for it.
2. Why scrapbooking? Not only is it one of the most popular hobbies in the US, but it also has a deeper meaning. On one level, of course, it is just about cutesy stuff and preserving memories of your kids and so on. But, what these women and men do is preserve personal history. Many times they journal along with place pictures in books and I often think about how cool it would have been for someone to have chronicled my grandmother’s life, for example, when she was growing up. Also, some people are really taking it to an art form, as well as using it for self-reflection. The social aspect to scrapbooking is also fascinating—crops, conferences, contests, and so on. It’s a subculture. I also think it’s perfect for mysteries—it has this great puzzle and story quality to it.
3. You are a cookbook writer and food writer, why write fiction now? When I think back to my childhood writing, it was always fiction and poetry. But life came along and I needed to earn a living so I worked as a nonfiction writer and an editor. It’s always been a dream of mine to have a novel published. I wrote many unfinished novels over the years and finished one in high school. And I think there are a lot of writers like me who would like to crossover—one way or the other. And all of my writing is about story, whether it’s fiction or non-fiction.
4. Has writing fiction been different from nonfiction? In some ways, yes. In some ways, no. With the cookbooks, for example, there was a lot of coordinating between the restaurant, tester and myself in the creation of the books. With writing fiction, it’s just me, which I found kind of freeing and at the same time a little scary. In writing both fiction and nonfiction, you simply have to sit at the computer and get it done. In this regard, I think my nonfiction writing habits influence my fiction. I’m very practical about my writing and don’t wait for the muse to descend.
5. Will you ever write another cookbook? I never say never. But I am enjoying writing fiction and plan to put most of my efforts into it. There is only so much time in a day, especially when you have a family and a full life.
6. Why does food figure so prominently in your novels? The simple answer is nobody can write about a group of Southern women without bringing food into the story. The somewhat more complicated answer is food is a great metaphor for life and the stories that make up a life are often punctuated with food. So using food in a story tells the reader a lot about the characters and the setting.
7. What else do you spend time on? I have very little free time because I’m the mom of two active little girls who have cello lessons, dance lessons and play practices, so I am often in my mini-van carpooling children. But I try to start each day with a run or a walk and have become quite the addict. I’m an avid reader and cook, as well. I love to scrapbook, of course, and get together with my friends and family. I try to write only when my girls are in school so that when they get home, I help with homework or just spend time with them.
8. Are you working on any scrapbooking projects? I’m always working on something. Right now, I’m trying to catch up on a few of my holiday books—both Halloween and Christmas. I’m also working on getting materials together for a recipe scrapbooking class, which I’ll offer at stores and conferences, as well as on-line at some point.
9. Do you have any favorite mystery authors? I’m a big Sherlock Holmes fan, so Sir Arthur Conan Doyle is right at the top of my list. Right now, I’m reading my second Louise Penny novel and I want to read them all! Also, one of my favorites is Elizabeth Peter’s “Peabody” series. (I want to read all of her work, too!)
10. What’s next for you? Currently I am working on book three of the Cumberland Creek trilogy. Book two, SCRAPBOOK OF SHADOWS, has been turned in to the publisher. The first few months of 2012 will be filled with promotion—guest blogs, book signings, and speaking engagements.
Bio
Mollie Cox Bryan is a food writer and cookbook author with a penchant for murder. Her stories have many forms: cookbooks, articles, essays, poetry and fiction. Mollie grew up near Pittsburgh, Pa., and attended Point Park University, where she received a B.A. in Journalism and Communications. Her first real job out of college was as a paste-up artist at a small newspaper, where she was allowed to write “on her own time” and she did.
Mollie moved to the Washington, D.C. area, where she held a number of writing jobs, and has written about a diverse array of subjects, such as construction, mathematics education, and life insurance. While working in the editorial field, Mollie began taking poetry classes at the Writer’s Center in Bethesda, Md. Soon, she was leading local poetry workshops and was selected to participate in the prestigious Jenny McKean Moore Poetry Workshop. Mollie still writes poetry— not as frequently— and believes that her study of poetry informs all of her writing.
In 1999, shortly after the birth of her first daughter, Emma, Mollie and her husband moved to the Shenandoah Valley of Va. (Waynesboro), where he took a job at the Frontier Culture Museum and she stayed at home to take care of Emma and start a freelancing career.
Website/blog: Http://www.molliecoxbryan.com
Twitter: @molliecoxbryan
Facebook: https://www.facebook.com/molliecoxbryanauthor
Email: molliebryan@comcast.net
Pinterest: Mollie Cox Bryan
Published Books
Mrs. Rowe’s Little Book of Southern Pies (Ten Speed/Random House, 2009) The Good Cook Book Club; named one of the best cookbooks of 2009 by Rose Kennedy of All Foods Considered.
Mrs. Rowe’s Restaurant Cookbook: A Lifetime of Recipes from the Shenandoah Valley (Ten Speed Press, 2006)
Unsilenced: the Spirit of Women, Commune-A-Key, 1999. A poetry and essay compilation.
Honey, I’m Sorry I Killed Your Aquasaurs (and other short essays on the parenting life) E-book on Amazon. This is a compilation of my newspaper column, Thoroughly Modern Mollie.
A few publications Mollie’s articles are published in:
Grit, NPR’s Kitchen Window, The Christian Science Monitor, Taste of the South Magazine. Virginia Living. Relish,
Currently, Mollie is a restaurant reviewer for the Daily News Leader, Staunton, Va. and a frequent contributor for the local NPR-affiliate, WVTF.
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